By Gage Averill
Averill explores such assorted genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new new release, and roots track. He examines the complicated interplay of song with strength in contexts akin to honorific rituals, backed highway celebrations, Carnival, and social events that span the political spectrum.
With firsthand money owed through musicians, pictures, tune texts, and ethnographic descriptions, this publication explores the profound manifestations of energy and track within the daily efforts of standard Haitians to upward thrust above political repression.
Read Online or Download A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti (Chicago Studies in Ethnomusicology) PDF
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